PODIUM 2026 vs chor.com FTN 2026 - Repertoire Analysis

PODIUM 2026 vs chor.com FTN 2026

Festival Repertoire Analysis & Comparison | Victoria, BC (May) vs Leipzig (Oct) | 317 pieces cataloged

Major Comparison: Two Choral Worlds

122
PODIUM Pieces
~195
ChorCom Pieces
8
PODIUM Concerts
20
ChorCom Concerts
40+
Total Ensembles
Headline: PODIUM 2026 programs nearly 39% women composers vs ChorCom's 24%. PODIUM features 16% Indigenous creators vs 0% for ChorCom. ChorCom programs 54% deceased composers vs PODIUM's 7% - reflecting the weight of the European canon vs the Canadian festival's living-composer mandate. Both dedicate specific concerts to all-female programming.

Composer Gender (Side-by-Side)

PODIUM 2026

chor.com FTN

Living vs Historical / Deceased

PODIUM 2026

chor.com FTN

Geographic Origin

PODIUM 2026

chor.com FTN

Choir Types Represented

PODIUM 2026

chor.com FTN

Detailed Metrics

MetricPODIUM 2026 (Victoria)chor.com FTN (Leipzig)Delta
Total Pieces122~195+60%
Female Composers (%)47 (38.5%)46 (23.6%)-14.9pp
Living Composers (%)113 (92.6%)~71 (36.4%)-56.2pp
Indigenous Creators19 (15.6%)0 (0%)PODIUM only
Host-Country Composers81 Canadian (66%)~66 DACH (34%)PODIUM 2x
Historical (pre-1900)5 (4.1%)~65 (33%)ChorCom 8x
World Premieres6+3+PODIUM 2x
Pop/Rock Arrangements~10~25ChorCom 2.5x
All-Female Concerts0 (Concert 5 = 75%F)2 ("She" + "Uplifted Voices")ChorCom +2
Children's Choirs4 (SD61, Bach CC, Fern Hill, Victoria/Wascana)0PODIUM only
Youth Ensembles5 (NYCC, Coastal Sound, UBC, VYC, Konektis)3 (Thomanerchor, LJC BW, RJ Wernigerode)PODIUM +2
Professional Ensembles2 (VCC, Luminous Voices)6 (Chorwerk Ruhr, Kammerchor Stuttgart, SWR, Vocalforum Graz, Zurcher SA, Gustaf Sjokvists)ChorCom 3x
Vocal Ensembles2 (Intertidal, Chronos)10 (Singphoniker, Lyyra, Latvian Voices, Sjaella, Calmus, etc.)ChorCom 5x
Accessibility1 (Braille Tones)0PODIUM only
Jewish/Remembrance02 concertsChorCom only
Bridge ComposerMarie-Claire Saindon (CA) appears at both. Laura Jekabsone (LV) appears at both.
PODIUM's DNA: Canadian identity (66%), reconciliation through Indigenous voices (16%), living composers (93%), gender equity (39%F), youth pipeline (5 youth/children's ensembles), francophone representation, accessibility.
ChorCom's DNA: European canon preservation (54% deceased), "Building Bridges" across eras and genres, DACH centrality (34%), crossover innovation (pop/classical fusion), dedicated feminist programming, remembrance culture, international prestige ensembles.

PODIUM 2026 - Choral Canada (Victoria, BC)

May 14-17, 2026 | 8 Concerts | 122 Pieces | 20+ Ensembles

68
Male (56%)
47
Female (39%)
81
Canadian (66%)
19
Indigenous (16%)
113
Living (93%)
6+
World Premieres

Composer Gender

Canadian vs International

Indigenous Representation

Geographic Origin (Detailed)

Living vs Deceased

Choir Type

Most-Programmed Composers

Composer#Identity
Andrew Balfour7M Cree CA
Sherryl Sewepagaham6F Cree CA
Stuart Beatch4M CA
Sarah Quartel4F CA
France Levasseur-Ouimet4F CA
Tracy Wong4F CA
Marc Jenkins (arr.)4M CA
Katerina Gimon2F CA
laura hawley2F CA
Laura Jekabsone2F LV

Concert-by-Concert Gender

C#Key Choir(s)PcsMFOth%F
1SD61, Francophone, Choirs YYJ1583420%
2Braille Tones, Esprit, UBC1585233%
3Intertidal, CSJ, Capital CC17125029%
4National Youth Choir1394031%
5Coastal Sound, Ventus, Fern Hill16412075%
6Chronos, Vancouver CC1293025%
7Bach CC, Wascana/Victoria, Konektis1577147%
8Luminous Voices, VYC, Commission19118042%

chor.com FTN 2026 - Leipzig

October 1-3, 2026 | 20 Concerts | ~195 Pieces | "Building Bridges" | Note: Michael Zaugg is a workshop leader at this festival

122
Male (63%)
46
Female (24%)
66
DACH (34%)
71
Living (36%)
106
Deceased (54%)

Composer Gender

Geographic Origin

Living vs Deceased

Choir Type

Most-Programmed Composers

Composer#Identity
J.S. Bach~25M German, 1685-1750
Laura Jekabsone~10F Latvian, living
Carl Orff~5M German, 1895-1982
Harry Frommermann (arr.)~5M German-Jewish, 1906-1975
Heinrich Schutz~4M German, 1585-1672
Caroline Shaw3F American, living
R. Vaughan Williams3M British, 1872-1958
Florence Price2F American (Afr.-Am.), 1887-1953
Fanny Hensel2F German, 1805-1847
Johannes Brahms3M German, 1833-1897

Concert Breakdown

DateConcertEnsembleTypePcsMF%F
Oct 1Carl und VeronikaDie SingphonikerVE101000%
Oct 1RisingLyyra (USA)VE126325%
Oct 1SheChorwerk RuhrPR10010100%
Oct 1StimmdimensionenKammerchor StuttgartPR5500%
Oct 1BridgesQuintense / Ens. NobilesVE121018%
Oct 2From Past to FutureLatvian VoicesVE141536%
Oct 2Traum und SehnsuchtRJ-Chor WernigerodeYO98111%
Oct 2Verleih uns FriedenThomanerchor LeipzigYO8800%
Oct 2Barock trifft GegenwartVox Quadrata + Orch.VE3300%
Oct 2Half my Voice is HumanSjaellaVE64233%
Oct 2Life Could Be a DreamGerman GentsVE~121018%
Oct 2Uplifted VoicesReine Frauensache / Schola C.AD12012100%
Oct 3Aufbruch ModerneLJC BW / SWR Vokalens.YO+PR108110%
Oct 3Indische TempelklangeGli Scarlattisti + Violin S.VE4100%
Oct 3Let Him Kiss MeVocalforum GrazPR10700%
Oct 3Walls and BridgesPop-UpVE101550%
Oct 3Bach im DialogCalmus EnsembleVE222200%
Oct 3Der Hype um LeipzigLypeVE7400%
Oct 3Naht zur NachtZurcher Sing-AkademiePR119218%
Oct 3Sanctuary MassGustaf Sjokvists KammarkorPR85338%
Bridge composers: Marie-Claire Saindon (Canadian, b.1984) is programmed at both festivals - by Chronos at PODIUM and in "Uplifted Voices" at ChorCom. Laura Jekabsone (Latvian) also appears at both - 2 pieces at PODIUM and ~10 at ChorCom with Latvian Voices.

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Full Data Tables

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+ PODIUM 2026 Full Repertoire (122 pieces)
C#ChoirTypeTitleComposerArr.GenderCountryCDNIndig.LivingPrem.
+ chor.com FTN Full Repertoire (~195 pieces)
C#ConcertEnsembleTypeTitleComposerArr.GenderCountryEra

Glossary of Codes & Regions

DACHDeutschland (Germany) + Austria (Osterreich) + CH Confoederatio Helvetica (Switzerland) - the three major German-speaking nations
NordicSweden (SE), Norway (NO), Denmark (DK), Finland (FI) - Scandinavian + Finnish cultural sphere
BalticLatvia (LV), Estonia (EE), Lithuania (LT) - three states on the eastern Baltic coast
UKUnited Kingdom: England, Scotland, Wales, Northern Ireland. Includes historical "English" composers (Byrd, Tallis, Purcell)
CACanada. At PODIUM, marked * in the official programme. Includes Indigenous nations (Cree, Innu, Metis, Haida, etc.)
USAUnited States of America. Includes Haitian-American, Indian-American, African-American identities
NZNew Zealand / Aotearoa - Pacific island nation (home of The Beths)
FlandersHistorical region spanning modern Belgium/Netherlands - home of Franco-Flemish polyphony (Clemens non Papa, Lasso)
CH (choir)Children's Choir - primary school age singers
YOYouth - secondary school, university, or national youth ensembles
ADAdult / Community - volunteer community choirs, women's choirs, accessibility ensembles
PRProfessional - fully professional or semi-professional large choirs (e.g. VCC, SWR Vokalensemble)
VEVocal Ensemble - small group (typically 4-12 singers), often professional soloists (e.g. Calmus, Sjaella, Chronos)
M / F / NMale / Female / Non-binary - gender of the primary composer (not arranger)
G / T / XGroup or Band / Traditional-Folk (no single composer) / Mixed attribution (e.g. Eilish+Finneas)
L / D / HLiving / Deceased (post-1900 death) / Historical (pre-1900 death)
Sources: PODIUM 2026 official festival programme (PDF). chor.com FTN from chorcom-ftn.reservix.de and chor.com. Composer identity based on published biographies, publisher credits, and programme notes. Some ChorCom concerts (esp. German Gents) are approximate. Generated May 19, 2026.